I studied photography at college, then moved to London to start work as an assistant in a fashion and still life studio. A few months later, a couple of friends and I took a microlight flight just for fun one weekend. The flying part was pretty amazing, but what I really could not believe were the incredible patterns you see from the air. Even very mundane things can become really quite beautiful when viewed from a completely new angle, and I was immediately hooked.
Diana Memorial, Kensington, London.
What are some of the challenges and logistics when it comes to shooting aerial photography?
I’ve done nothing but aerial photography since that point, so I’m pretty used to the challenges now! I only shoot from helicopters and have to take the door off. Nowadays I use twin-engine machines for 95% of my work. My gear and I are tethered to hard points in the helicopter, and I’ll normally take four camera bodies so I don’t have to worry about changing lenses.
I always use GPS units attached to the cameras for easy identification of random places. 80% of my work is in the UK and 20% internationally so the most difficult thing really is making sure you are up when the light and visibility are great – that can take quite a lot of planning and sitting around at airports.
What do you learn about a city like London when viewed from above as frequently as you do? Does it alter your perspective?I get to fly over London once or twice most weeks, and I’ve been doing so for years and years now. But it never ceases to amaze me. It’s fascinating to see how different parts of London actually sit together, and of course the skyline in London has changed dramatically in the last five years with some stunning new buildings going up, and plenty of others in the pipeline.
Commuters, London Bridge, London.
How did the ‘people’ project come about?
One of the strange things I always find, particularly when flying over cities and built up areas, is how seldomly you actually see people. In fact often it’s as if everyone has packed up and gone elsewhere. So I always shoot groups of people when I come across them. I love the fact spaces between people become so obvious – you can almost see the personal space that they regard as psychologically theirs – and the way that can differ in different environments.